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이젠 다시 돌아가고 싶지 않아
It's a dream. It has to be. J knows that, tells himself that over and over until he can't make his mind form the words anymore. At a certain point, the fear and the horror are too much. That's how it always is. He never feels entirely in his own control when he does it, though he knows he is, he must be, to make these kinds of choices. Still, it feels — felt, really — like his hands do the work on their own, like he's watching from afar. It's a terrible contradiction — to need to be far enough removed from it to keep from losing his nerve, to be enmeshed enough to feel it so it has the required effect. To know the fright in the eyes of someone dying at his hands, palpable enough that he takes what he needs from it, held enough at bay he could keep himself from falling apart after the fact or from stopping before he was done.
It's a little bit different tonight. He sees them in the shadows, hardly more than shadows themselves, hovering at the edges of his vision, but there's no victim before him tonight, no murder to relive. There's just a visceral wrongness, like he's hovering on the edge of understanding, aware they're here and that they aren't. He forgets things even as they happen, and it's the last of it he'll remember when he wakes.
There's a car. It's a worn-down old thing, the best he could afford, but it keeps running in spite of that and the damage he's done to it — did to it, that night, going too fast — but it's not moving now. He's sitting behind the wheel and it's quiet and it's dark, and something is very wrong. It's the smell, he thinks, and it takes him a moment for it to click before he realizes he knows it very, very well. It's been a long time, though, since he smelled it so strongly, the sour metallic bite of blood in the air, flooding the car, inescapable. The window won't roll down, and he leans across the seat to try the other (and he wonders, in the back of his head, why he doesn't just open the door, but he doesn't), but his hands slip, the handle slick. The blood was already there, though. He knows that when he sees it, that it isn't touching the door or the seat when he slips that does it. It was already there — is still there, on his hands, on the steering wheel, mottling the passenger seat. He knows it's there when he turns to look at the backseat — too much, more than there should be, more than there was, and it won't come out, it won't ever come out. It's happening now, but when it happened before, he scrubbed at it until his hands were red, his cheeks and eyes were red, and still he felt sure it was everywhere, seeping between the fibers until the seats were soaked in it. And it's not real, it can't be real, because this didn't happen. S didn't die, he knows that, he's sure of it, but he must have, because no one can bleed that much and live.
That's the part that cuts through the panic, slices so sharp he can feel his skin crawl, his breath stop in his throat. There's too much. Is this a dream or was it a dream to think he fixed things somehow? Was he too late? Did he go too far after all? He's faintly aware of the sounds he's making, sharp gasps as he struggles to catch his breath, high-pitched whimpers of protest. When he leans further into the backseat, he's afraid he'll find a body still there, though he should be able to see it from the driver's seat, but he can't stop himself pitching forward, clutching at the armrest. He never got used to this smell. It grew familiar, but he hates it — in the same faraway manner in which he feels everything but abject despair — and he can't get away from it. The knife shouldn't be here, he knows that, he's absolutely certain of it, but then he's not really sure of anything. He left it in his rooms, he knows he did, but maybe he didn't. There's too much that he's can't say with any real confidence, too many patches of time he can't account for, too many memories he might have made up.
It's dark still and he can't breathe, bent forward instead of back, leaning over the blanket and draped over the knees he's pulled up to his chest. Clutching at the sheet, the sounds he makes are incomprehensible even to himself, almost inhuman, harsh, panicked breaths punching out of him as he struggles to get air past how tight his throat has become, past the sobs that start to shake him as soon as his body is alert enough, well before his mind catches up. He tries to call S's name, terrified he isn't there to respond, but he can't make it come out, can't force his body to turn. If he's alone, if it was real, if it's true, then he'll die like this, struggling for air like some of them did. The thought of that is enough to make some part of him want just to give up and let darkness take him again. "Please," he mumbles, desperate, unable to manage anything else. It's hardly the first time he's woken up (he is awake, isn't he?) in a panic, but not like this, rarely so pronounced and all-encompassing.
It's a little bit different tonight. He sees them in the shadows, hardly more than shadows themselves, hovering at the edges of his vision, but there's no victim before him tonight, no murder to relive. There's just a visceral wrongness, like he's hovering on the edge of understanding, aware they're here and that they aren't. He forgets things even as they happen, and it's the last of it he'll remember when he wakes.
There's a car. It's a worn-down old thing, the best he could afford, but it keeps running in spite of that and the damage he's done to it — did to it, that night, going too fast — but it's not moving now. He's sitting behind the wheel and it's quiet and it's dark, and something is very wrong. It's the smell, he thinks, and it takes him a moment for it to click before he realizes he knows it very, very well. It's been a long time, though, since he smelled it so strongly, the sour metallic bite of blood in the air, flooding the car, inescapable. The window won't roll down, and he leans across the seat to try the other (and he wonders, in the back of his head, why he doesn't just open the door, but he doesn't), but his hands slip, the handle slick. The blood was already there, though. He knows that when he sees it, that it isn't touching the door or the seat when he slips that does it. It was already there — is still there, on his hands, on the steering wheel, mottling the passenger seat. He knows it's there when he turns to look at the backseat — too much, more than there should be, more than there was, and it won't come out, it won't ever come out. It's happening now, but when it happened before, he scrubbed at it until his hands were red, his cheeks and eyes were red, and still he felt sure it was everywhere, seeping between the fibers until the seats were soaked in it. And it's not real, it can't be real, because this didn't happen. S didn't die, he knows that, he's sure of it, but he must have, because no one can bleed that much and live.
That's the part that cuts through the panic, slices so sharp he can feel his skin crawl, his breath stop in his throat. There's too much. Is this a dream or was it a dream to think he fixed things somehow? Was he too late? Did he go too far after all? He's faintly aware of the sounds he's making, sharp gasps as he struggles to catch his breath, high-pitched whimpers of protest. When he leans further into the backseat, he's afraid he'll find a body still there, though he should be able to see it from the driver's seat, but he can't stop himself pitching forward, clutching at the armrest. He never got used to this smell. It grew familiar, but he hates it — in the same faraway manner in which he feels everything but abject despair — and he can't get away from it. The knife shouldn't be here, he knows that, he's absolutely certain of it, but then he's not really sure of anything. He left it in his rooms, he knows he did, but maybe he didn't. There's too much that he's can't say with any real confidence, too many patches of time he can't account for, too many memories he might have made up.
It's dark still and he can't breathe, bent forward instead of back, leaning over the blanket and draped over the knees he's pulled up to his chest. Clutching at the sheet, the sounds he makes are incomprehensible even to himself, almost inhuman, harsh, panicked breaths punching out of him as he struggles to get air past how tight his throat has become, past the sobs that start to shake him as soon as his body is alert enough, well before his mind catches up. He tries to call S's name, terrified he isn't there to respond, but he can't make it come out, can't force his body to turn. If he's alone, if it was real, if it's true, then he'll die like this, struggling for air like some of them did. The thought of that is enough to make some part of him want just to give up and let darkness take him again. "Please," he mumbles, desperate, unable to manage anything else. It's hardly the first time he's woken up (he is awake, isn't he?) in a panic, but not like this, rarely so pronounced and all-encompassing.
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"Maybe he wouldn't have been," he sighs after a moment. "I don't know. I was paranoid, not thinking clearly." That, again, doesn't feel right. J isn't sure if it's a lie or not, but it doesn't quite right true to him either. He doesn't like that, this feeling of fumbling for the truth in the dark, trying to piece together his memories. There's a lot he did back then that was all mixed up, and making sense of it after the fact is difficult. "Besides, he — he helped me. If I'd been caught, he could have been arrested. Of course he wouldn't want me to let anyone go. And if he read that, if he knew it was you, he could have found you and —" It's deeply uncomfortable, something drawing him short of finishing that thought. He feels a little sick suddenly. "Threatened you somehow."
He sighs, shoulders slumping as he leans into S, exhausted all at once or reminded of how tired he already was. "That whole week — you don't know what it was like. I was out of my mind, Sihyun-ah. I couldn't write a note." Too late, he realizes what he's said these last couple minutes, the topic he's brought up that he can no longer avoid. Lately he's found himself thinking about it more, restless and sad, missing how it used to feel to make music, back when that was something he could do, something he loved. It's not something he can change, though, so he tries to push it back, not to talk about it unless he has to, and now this... He can never write again. He can't play again. It's too dangerous. "I wasn't thinking right."
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Sighing, S combs his fingers absently through J's hair, mindlessly seeking out whatever contact, whatever affection, he can. Whatever happens now, he has to believe that they'll be fine. They've weathered the worst of it already. These are horrible, painful details, but they've addressed the way things fell apart before and the fact that J tried to kill him, and if they can get past the latter, they can get through anything. S just has to keep telling himself that, less convinced than he usually is, if only because of all he's been holding back.
"Maybe not," he allows, still careful, still quiet. "But I read what it was like. What he was like. I don't think you're wrong, that he would have." S is certain of it, in fact, for more reasons than just the ones that have been given, though he doesn't think J is wrong about that either, necessarily. "He helped you? Jae-eun-ah..." He trails off with a frown and another heavy breath. In a strange way, S knows he has to take the opportunity that's been presented to him, to use J's own words to try to illuminate the truth of what happened. If nothing else, it would feel too dishonest to back away now, and it would make him sick to hear J say such things and not offer very simple refutations. With as restrained as he's trying to be, his temper kept in check, at least for the moment, there's only so much he can manage not to say. "It was his idea. He told you to do it. The first time, and after... and then he told you to kill me."
The professor may not have given a name, but the way J conveyed it, it was clear enough who he meant, and S doesn't doubt the accuracy of that. He knew, after all, what the two of them were to each other. He knew S was the only person with the significance to J that he was describing. He had his own reasons for wanting to get S out of the way, too, and S almost says so, but he gets stuck instead on another thing J has said, his stomach twisting as it occurs to him what else he has to add, his voice that much smaller when he continues. "And he was arrested anyway. The day I got here."
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"For what?" he asks, bewildered, though he's the one who just said it was a possibility. He'd assumed, though, that any harm to the professor would come only if J himself were caught and the truth pulled from him. With his own death, he expected that such danger would have passed. Confused and, a little bit, indignant though he is, he doesn't draw away, clutching with one hand at S's shirt for stability, for comfort.
"That doesn't make sense." He knows it has to be true. It's not the kind of thing S would make up, and they've both been truthful with each other since they got back together. J is sure of that, that S has put in every bit as much effort as he has to be open and honest, their best hope of avoiding the mistakes J made before. "He didn't tell me to do anything." He clenches his jaw briefly, hating that he has to amend that statement right away. "I'm an adult. I made my choices. I didn't just take directions. How could he have told me to kill you? He didn't even know I tried."
There it is, the thing that made him uneasy before S mentioned the arrest, the thing that was needling at him as not quite right. He stills again, brow furrowing, gaze darting away in confusion. The professor didn't know. He's sure of it. It isn't as if he gave J a name and expected him to scamper off and do as he was told; he suggested a type of person, not a specific individual. And, granted, J had only so many connections, hardly anyone he was close to, but, though he hardly confided in the professor about his relationships, it wasn't as if he'd managed to obscure that he and S were no longer close. It wouldn't make sense for him to have specifically meant S. And yet something drifts through J's mind, not quite there, something that feels wrong. That final night, that final talk, those last words he'd spit so precisely at J as he left — they'd churned through J and then burned away, but he feels an awareness of them now.
"He must have looked at it," he murmurs. It's the only reasonable explanation. "When he came to see me that day, before I realized he was there. He must have seen my diary after all."
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His head is a fucking mess, and half-expecting anger rather than confusion, getting the latter instead feels like letting out a breath he hadn't known he was holding. It doesn't fix anything or change how difficult the rest of this will be, though it does distract him a bit, some of J's words barely registering, but it's a good start, quietly promising. J is still here with him, still in his arms, safe and warm and alive. They both must look absolutely wrecked, but under the circumstances, that hardly seems unwarranted. It helps to hold J close while he says these things. It helps, too, to be in the dark, any scrutiny at least feeling less immediate.
"For what?" he echoes, brow raising and skepticism in his voice, though there's something pained, too. He knew, of course, that J didn't see it, his writing making that much clear, but knowing just how thoroughly manipulated J was remains heartbreaking. "You just said it. He helped you." It's too imprecise. These details aren't necessarily ones he wanted to get into, but there are only so many ways he can talk around murder. Swallowing hard, he takes a breath, steeling himself, his fingers still gentle in J's hair. "There was evidence. One of the bodies... They figured out that he helped."
That's not all they had, though. S knows it, just as he's known since that first day that he would have to tell J this eventually. It isn't as if he meant to keep it a secret. And yet he feels as guilty now as if he had, though it isn't like J has ever broached this subject before, either. "And I went to the police," he adds, eyes closing, resolved and worried at once. "I said I could get him to acknowledge the rest. The part he played. I wore a wire and I went to see him. It worked."
He feels sick, suddenly terrified, struck with a fear that he'll lose J over this, that that monster will manage to come between them even from a world away. "He probably did read it," he adds, softer. "But you had to know he meant me. Who else?"
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But confusion washes over him again, even as he grips S's shirt and waist a little more tightly, looking for comfort and explanation. Any protests he might make falter for a moment, mind spinning. It worked. It can't have worked if there was nothing to admit to. But there was, he reminds himself, of course there was. Like S said, the professor helped him dispose of a body — maybe more than one, the details blurred even then, lost now to time and self-preservation — and that in itself is a crime. His failure to turn J in was one as well. Still it seems hardly worthy of police pursuit when the professor didn't actually kill anyone himself.
"If he had," J says, a touch exasperated, "wouldn't he have just said so? And why? I'd barely spoken to you in so long." He doesn't know whether to be impressed by S's tenacity or annoyed that S would pursue this animosity even after J's death. Neither seem quite as important as the fact that something is still bothering him. He softens, reluctant, though his hold on S remains firm. "But he knew. When he talked to me before..."
He draws in a slow, careful breath. It's hard to talk about, hard even to think about. The word itself doesn't hold quite the same debilitating horror it did when the professor first uttered it, but he still doesn't like thinking about himself in this way. "Said I was a murderer," he says, quiet, shame flushing through him at the memory. How stupid he was, delusional and broken, thinking he'd done something with himself, that he'd at least made those lives into art. It shattered him. "I tried to say it wasn't true, but it was, and he —" None of this can help, he knows that. It only gives S more reason to hate the professor, because he's already inclined to do so. "He talked about... some of them. You. Not by name, but —" He shakes his head, quick, intent. "Aish, but he had no reason to want you dead. He was trying to motivate me. It was the only way I knew how to write anymore, he knew that."
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He didn't know how bad it was, though. Had he known then, he might have approached it all differently. Told J the truth from the start, or come to him with it when J summoned him over that night. Having been so shut out, he just had no way of knowing the hold the professor had, or just how cruelly he was treating J. A world away, it makes him no less angry — at the professor, yes, but a little bit at himself, too, for always being too late.
That, at least, is a reason to keep going now. Besides, having gone this far, he doesn't think he could turn back, no matter how badly a part of him wants to lie back down and cuddle with his boyfriend until they both drift off to sleep. This isn't a journey he can make halfway. J deserves the truth, even if it's one that hurts. "He didn't care," he says, slow and quiet but with a bit of tension creeping into his voice, "about the murders. About those people. About you. The things he said when I went to see him — they were sick, abhorrent." J's earlier questions, S sets aside for now. He knows exactly why the professor would have wanted him dead; he just doesn't know how to say it after all this time. There's enough else, anyway, sweeping him up as he continues. He speaks no louder, and with no more frustration, but J knows him well enough, he thinks, that he'll probably hear what he's holding back anyway, that particular calmness that belies the anger underneath. "Even when he was trying to motivate you, he only cared about what he could get from it. Calling you that, talking about them... He wanted you to finish the piece and to do exactly what you did. To take yourself out of the picture."
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"No," he says quickly, quiet, a hint of plea in his voice that he doesn't quite register. "No, no, that doesn't make sense." The professor could be sharp, he knows, and cold, but he wasn't a monster or a mindreader. He couldn't have known J would do such a thing. Growing up, things such as that, suicide, that felt more taboo even than murder. A murder would make the news, but people deliberately looked away from a suicide. "I know you don't like him, but who would do something like that? He never said I — he didn't tell me to —"
Creeping toward those words, he can feel heat flare along his skin, a flush dancing up his neck, burning his cheeks. "To kill myself. No one would do that. I — he told me to finish it, that's all. I wasn't going to. He was mad about that, because I'd said I wouldn't, so he said I needed to finish it —" He remembers more, made hazy in self-defense, clear enough just to make his skin prickle. That isn't what it meant. "Why would you say that?"
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He does this. Means to say one thing and has it come out distorted, has good intentions that get skewed by delivery, one of the reasons their relationship fell apart before. This matter is one he should treat all the more delicately, and yet the way it hurts just makes him angrier, too, for how the professor used J without J even realizing it. J shouldn't have to be saying these things now. S shouldn't have to give the only response he knows, words tumbling out of him, calmness wearing thin.
"He did, though," he counters, soft and hoarse, a little grim. "Remember? He told you to finish it even at the cost of your life. He said it. You wrote it." And then he did it. In the back of his head, S wonders briefly if this is the first time one of them has ever said the words outright like that, referred to J killing himself and not obliquely talking around it. Now isn't the time to dwell on it, or on how painful it is to think about this at all. "Of course he wanted you to finish it. That was for his own sake, too."
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He can almost hear it again, the coldness of the professor's voice when he said it, how he shrank from it. He let himself believe for a few moments that he misremembered, but S says it, and he knows he didn't, that he set down what he heard, what echoed in his head until the other thoughts drowned it out. He pushes slightly at S's chest even as he clings to his shirt, swaying into him a moment later, his head shaking quickly. "You're being ridiculous," he says. "And he was being dramatic. He was my teacher, it was his job to get me to finish. For my sake as a student."
Because if that wasn't the professor's purpose, then J doesn't know what was, what S could mean. How could it possibly serve him for his student to die? It's absurd even to suggest. What good could the sonata possibly do him if he were dead? It was an exaggeration, a metaphor. He tries hard to stay calm, not wanting to fight. He just has to convince S of the truth, make him see reason, and then they go safely back to sleep. Nevermind that he's trembling again, increasingly agitated despite his efforts to remain rational.
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"Telling you to kill yourself is a little bit more than dramatic," he points out, his voice dry, shaking his head. If nothing else, through his rising anger, he thinks he manages not to sound like J is the cause of it. Granted, if their past is anything to go by, that may not make a difference, but they've been doing so much better these last few months. The last thing he wants is to go back to fighting like they did that last year they were together. That's all the more reason, really, why he should slow down, get his bearings, but he can't hear such things and not respond, and J shouldn't have to believe such falsehoods, defending someone who never gave a damn about him outside of what he could produce, who was beyond careless in discarding him.
Letting out a short breath, he shakes his head, eyes closed for a moment, something pleading behind them, almost desperate, when he opens them again. "It wasn't — about you, or teaching, or your being a student. Don't you see?" The last tumbles out of him fast, too fast, and he does this, too, patient until he's not, snapping when he does, his composure worn thin. It's the same stupid fucking instinct that made him turn around instead of leaving when J tried to send him away. It leaves him acting on some long-buried instinct now, what he's held back for years no longer able to be contained, words quick and frustrated and frantic, spoken before he can even realize what he's doing. "He just wanted to steal your music like he stole mine!"
In the beat that follows, it catches up to him. The room is quiet and dark and they're alone, but his response is instinct, too, his eyes flying wide with sheer terror, his body lurching backwards as if with the force of his own words. He doesn't pull away, not really, just jerks as if pulled by the back of his shirt, one hand shooting out to support himself on the mattress, the other covering his mouth again. This time, though, it isn't to try to hold back tears but rather because he thinks, for one awful moment, that he might actually be sick. He's never said this to anyone besides the professor himself. So many times, he wanted to but knew he couldn't, then told himself that he would but the timing wasn't right. Even tonight, he's known it would come up, but that doesn't diminish the fear in actually saying it. They're a world away from Seoul, not even in the same time, and the professor isn't here, as far as he knows, and it wouldn't even matter now if anyone outed them, because it's alright here for them to be together openly. This, though, is his biggest secret, and he's hated having to carry it. No matter how hard he tries to tell himself that there won't be consequences for letting it out now, it's as if part of him can't be convinced of it, as frightened as if they were still back home. Besides, back then, he hadn't kept it secret for so long. Despite the reasons he's had, despite the fact that he didn't feel like he could do anything else, it's hard not to worry now that J will hate him for withholding something so huge, that could have changed everything.
"Fuck," he says, a muffled gasp behind his palm before he lets his hand fall from his mouth, reaching for J's wrist again instead, his chest tight. "I'm sorry. I —"
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He never heard anything about this, never saw any evidence of it, never had cause to believe such a thing had happened. He can't figure out which piece of music it might have been or when it happened or if, maybe, possibly, S isn't remembering quite right. A misunderstanding, maybe. It's hard to be sure. There's a brightness in the air, trilling in his ears, and he knows S wouldn't say something like this if it weren't true, but he wills himself to have misunderstood.
But S sits there, staring, and this, J can see, the wide eyes and the worry in S's face, in his voice. There's a sick thud in his chest, his heart beating too slow and too sharp before it catches up speed too quickly, lurching unbearably fast. "What are you saying?" he asks, quiet and appalled. "What do you mean?"
The professor tried only to propel him to greatness, to push him through the fog that kept him from composing. No one else would take him on. No one else thought he was worth the effort. And J struggled and wept and fought and killed to prove it wasn't a mistake, that he still retained that spark of greatness the professor saw in him.
Though even that was a lie.
Where he felt overheated a moment ago, he feels cold and clammy now, almost too numb to speak. "Like I did."
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"No," he says, his hold on J's wrist loosening a little, thumb gently stroking J's skin even as he tries to fight off the feeling of being about to cry again. "Not like you. Not at all. You — whether you believe me or not, that piece was yours. I never felt like that with you. He —"
There's so much to this story, and he was so overwhelmed already, a feeling that's only worsened now. Taking a shaky breath, he looks away, nothing short of ashamed. "He needed music," he admits, voice lowering, unsteady. "Finished pieces. To pass off as his own. He hasn't written in... years. And I needed a scholarship. I wouldn't have been able to go without one, you know that, and —" A small, soft sound, a sad little whimper, rises up in his throat. He still feels like he can barely breathe, utterly terrified, but wanting to reassure J at least propels him forward, even with as unsettled as he still is, even as he knows that there's a chance this is going to go very, very badly. "He knew about us. That we were... more than friends. If I told anyone — if I told you —"
The implication there, he thinks, is clear. He can't look at J now, though, only resisting the impulse to curl in on himself again because he doesn't want to pull away, shoulders hunching forward now that he's regained his balance. "That's probably why he wanted you to kill me. I could have ruined his career. But if he could get another movement out of you, and me out of the way at the same time..."
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It would be easy to latch onto S's first point, to debate whose piece that really was, if he could make himself speak. It would be the simplest, the part he feels most certain about. Though he believes S means what he says, it's still difficult for J to see what he did as anything less than plagiarism. But there's a difference even between that and outright theft.
Not theft. Blackmail. An exchange, but an unbalanced one. It feels a lot like reaching out for something that isn't there, pieces missing still or placed where they shouldn't be. For a brief, awful moment, he feels a pang of understanding. He doesn't want to think he'd stoop to such a thing, but he fell much farther still after being blocked for a much shorter time. But what he did, he did so he could create. However terrible and wrong it was, he made or channeled those pieces. The professor didn't.
He knew.
All the precautions they took and someone knew. And J had no idea.
"But you wouldn't have," he mumbles, bewildered. "You'd never — you wouldn't have ruined him. Then everyone would have known about me." To him, it's simple logic. If the professor knew about them, if he knew S at all, he should have known that. J can't wrap his head around any of this, but that much is easy, obvious.
And then even that slides into sharper focus, his heart aching. "How did he know?" he asks, and he doesn't know what he feels anymore, other than utterly distressed, hunching in on himself as he clutches at S, letting go of his shirt to fumble for his arm, for better purchase to hold himself upright. "Why didn't — I didn't know he wasn't writing, I thought — why didn't you tell me?" Of course, as soon as he's asked, he's shaking his head, because he knows why: he never would have been able to keep quiet himself. They've protected each other for so long. He would have gone in swinging with words or fists or both, and ruined his prospects in doing so. Still, at least S wouldn't have been dealing with that alone.
S needed a scholarship. It must have been from the very start. J closes his eyes, forcing a shuddering breath into his lungs, and leans into S, curling against his chest as if he might be able to shut out even J's own thoughts.
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He didn't, though, and even if J doesn't sound mad at him now, S still feels that he owes him an explanation. "I couldn't risk it," he says, "him finding out that you knew. Or even thinking that you might have. If he told people about us... You know what would have happened." Whatever those consequences would have wound up being, he knows it wouldn't have ended well. He wasn't worried for himself, though, as much as he was for J and how J might feel about it. "It would have ruined your career before you even had one. I couldn't do that to you. And I didn't want... you to decide that it was too much of a risk to be with me after all." Just saying that sounds fucking stupid now, but a lot has changed since then. They've weathered far, far worse now. They hadn't then, and J was so ambitious, it seemed like a reasonable fear. S isn't even sure that it wasn't, when J ultimately left him at least in part to be able to write again. "Besides, the way you felt about him, how could I take that away from you?"
It wouldn't have mattered. They both lost everything, even if they've gotten back far more than he could have dreamed since then. No one can use their relationship as a threat anymore. That doesn't make the reality of it having happened any easier. Relieved and forlorn and still shaken, he sighs into J's hair. "I just wanted to keep you safe."
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It hurts terribly. Even now, he has the feeling he's lost something. As much as he wants to tell S he was wrong, he understands why he hid all this, why he thought it would be something taken from J. Because, really, it is, years of illusions of support, of the thought that someone saw potential in him that everyone else refused to see. Someone who knew his father, for that matter, though J has mostly said he doesn't care about the man. How could he, when he never even met him? He thought what the professor saw was his value. And he could tell himself that's still true, that the professor blackmailing S doesn't mean he was lying when he spoke to J, but it's impossible not to question. If he was that kind of man, then he wasn't the mentor J thought he was. He'd known that the professor was unconventional, after all; no one who took him on could be otherwise. But he'd thought that was a dedication to music and a belief that J's skills outweighed the things that held him back.
J sniffles, but he tries hard not to let himself start crying again. He doesn't want to shut this off by breaking down. While he doesn't quite understand why this is only coming out now, he doesn't want S to feel he still has to keep this hidden either. But it aches, not least because he can't fight any of it. "I was so stupid," he whispers. He should have known better. "I would have said that. He told me — he said the people around me were distracting me from what I could be. He meant you. And I was so desperate to think maybe the problem wasn't just something fundamentally wrong with me, I..." He lets out a quiet whimper, eyes shut tight, though he can feel the anger and self-recrimination boiling up alongside the despair now, and he doesn't know which of the three is most comfortable and familiar, which way he'll fall. "But he knew."
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Then again, they could have broken up sooner, or everything could have ended far worse. Still, with something of this size, it's impossible not to wonder how it could have been different. Even if J did break up with him, maybe it would have kept the professor at arm's length. Maybe he would have lived. Maybe all of them would. "You weren't stupid, Jae-eun-ah. He knew what he was doing and how to get you alone. He knew how to keep me quiet. And then he knew how to get you to write."
He barely knows what else to say. There's so much left to cover, or so it feels, even beyond what he's already told J now and how fragmented it's all come out. With as long as he's waited, though, he can't rush through any of this, particularly not when J sounds the way he does now. S can't pretend that the things that happened didn't happen, or that what J said a few minutes ago isn't true. He is an adult, and he made his own choice. Those choices don't exist in a vacuum, though, and the circumstances under which they were made matter, too. The professor manipulated him every step of the way, and S hardly sees how he could be blamed for trusting someone who should have been trustworthy.
"I'm sorry," he adds, what feels more important than anything more overwhelming for the moment. Saying so, S is pretty sure he already did so once, but it's hard to be sure when they're both upset, clinging to each other in the dark. "That I didn't tell you sooner. I wish I had. Even here, I... I kept telling myself I could tell you now, but actually saying it..." Still he's barely scratched the surface, but at least he's gotten out the worst of it, the secret he's carried around for years, however unintentionally he gave voice to it at last. That — clearing the air — feels like the most important step.
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"I wish you had, too," he admits softly. If he'd known sooner what he was dealing with, maybe he would have had the sense to see what S must have seen, what S says he wrote. But he's not sure that's the case at all. He knows himself and he knows how he was back then — every bit as stubborn as he is now, perhaps more so, and much more sure. In those first days at the end of high school, when they were getting ready for college, hoping for scholarships, looking ahead to the awards, he was so confident. He doesn't know now if he would have dismissed S's concerns. He doesn't think he would have, not if S had told him before he started to really fall apart, but it's impossible to know. "But I understand why you didn't, I do."
Despite his efforts, he feels himself starting to cry again, but he can't make himself let go of S to wipe the tears away, just closing his eyes instead. "You just wanted to protect me," he says quietly. S always has, from the very beginning. He can't be angry with S for that, not this time. He understands the love in it. If anything, he needed more protection even than either of them thought. But the professor knew, and the thought of that stings and sickens him.
The truth, he knows, is that he was a little frightened of the man. But then, in those last days, he was frightened of everything. He spent a lot of his life not particularly giving a fuck whether or not he lived up to the standards of adults other than his mother because he never really could. Try though he might to surpass those around him, they thought little enough of him that he only did it for his own gratification. Having one adult he thought actually saw something in him, someone who wasn't required to tell him he was doing well, he wanted badly not to disappoint. He was so lost all the time, tired and nervous. Easy prey.
It hurts, a gnawing pain in his gut, the way this shifts his world, and it scares him. There's a lot to look back at, to reflect on; he won't be able to help himself now, turning over his past, prodding at it like a fading bruise, and he doesn't want that. There are things he thought he knew and he didn't. There are answers he can't yet grasp, and he's already afraid of how they might yet unfold. His mind hasn't been particularly cooperative when it comes to memories for a long time now.
"He must have thought I was so weak," he says, raw with despair or fury or both. Though he no longer quite knows how to feel about the man, his thoughts and heart not yet wholly caught up to this new reality, he knows enough to hate it. That someone could use them like this — blackmail S, manipulate J away from him and more — is hard enough. Knowing that such a person must have looked at him and thought he would be so malleable is almost unbearable. He'd thought himself strong and then saw himself getting weaker. It hadn't occurred to him to think someone else saw it too and wanted to use that. That he would be so easy to manipulate. Stifling a sob against S's shoulder, he clenches his jaw briefly to keep it from shaking. "I was. I'm sorry. I'm sorry, I should have listened to you."
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S means to say so — the last part, at least — but then he hears J apologize, voice strained with tears again, and can only shake his head. "You weren't weak," he says, just so fucking sad, idly stroking J's hair. "You weren't. You've never been weak. Everything you were up against — of course you saw what he wanted you to see." He huffs out a soft breath, not quite a laugh. "Of course it drove you crazy that it seemed like I disliked him for no reason when he'd taken an interest in you. I wanted to tell you so much. So often. Even... even that day you called me, it was right there." All he could do instead was issue some vague warning, as he recalls, which probably only made things worse. He couldn't have known just how bad things were, that someone was already dead, or at least close enough to it, that more people would be. It was right there, though. Neither of them, he thinks, is to blame. They made their decisions and played their parts, but they wouldn't have been in those positions at all if not for the professor. That doesn't make, has never made, it any easier to bear the weight of how terribly things went wrong.
"Maybe you should've listened, but I should've told you all of it," he murmurs, his own voice wavering a little again. "And he shouldn't have put us in that position in the first place. Everything that happened — you would have stopped. You would never have done those things if it weren't for him." This, too, he should have said sooner, something that's been on the tip of his tongue every time they've so much alluded to the murders. Telling J that without getting into the rest of it, though, would have been impossible, and they've stayed so carefully away from all of this, for the most part, for so long. He still hasn't even told J some of the worst of it — the sonata and what the professor did with it — but there are only so many truths he can give voice to at once, and even knowing that it's for the best doesn't make it any easier to say things that he knows will hurt J, who's been hurt enough already. All S can do is hope that knowing all of this might lessen a little of the guilt J feels.
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Even that, though, as much as he hates that he let it happen, he can almost forgive in himself. He would have latched onto anything that might make him feel a little better or more in control. The rest, though, is hard to wrap his head around. He shakes his head slightly, willing himself to stop crying, though it does little good. "But I did them," he says, a little choked, throat tight from crying. "I let myself think things that were so awful. I should have seen through it."
He can see it, how the professor encouraged him when he shouldn't have. At the time, he told himself that the professor had his best interests at heart. It was easier to go along with what he said and do as urged, letting himself think that these crimes were tempered by his intentions, believing the professor was right. He had two options, really: to stop and confront the fact he'd murdered someone or to keep going as the professor encouraged him to do and let himself think he was elevating his victims, that they hadn't quite died, that he'd kept them alive somehow. The first was almost unbearable. He was already a mess, he remembers that, already felt he saw and heard things that can't have been there. He must have been so easy to push around.
But that doesn't absolve him in the least. Half-mad already or not, he should have been able to see it for what it was, that these were murders, inexcusable. "That's weakness, isn't it?" he asks, though he's sure of the answer. "I was such a coward, I believed him. I could have refused. I should have known better, that it was wrong." The professor guided him — that's becoming gradually clearer — but he didn't have to let that be so. He should have seen it for how abhorrent it was and walked away.
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"It's not weakness," he says, quiet and almost pleading, desperately earnest. "You weren't a coward. He was your teacher. I... I'm not saying that it wasn't wrong. Or that you weren't part of it. I'm not. I —" From the very beginning, here, he's wanted to make sure that J knows that he's going into this with his eyes open, with full awareness and acknowledgment of the things that happened. Now is no exception, even if he can barely get the words out, his eyes closing as he tries to do so. The rest of it, though, he means just as utterly. "But it was all so... fucking twisted. He should have been helping you. When he found out about the first, he shouldn't have suggested that you try it again, but on purpose this time."
It is, again, all he can do to keep the anger from his voice and the tension from his limbs. This time, though, he manages, softened by the way it hurts to hear J crying and the way J has curled against him, his heart aching with it. Although he feels perilously close to tears again too, if nothing else for how overwhelming it is to be saying all of this at last, he tries to keep that back, too, continuing as soothingly as he can. "But you were alone. And you just told me yourself what he would have said if he'd known you didn't follow through with me. He would have said the same thing then. Told you you didn't want it enough. Anything to wring whatever music out of you that he could."
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It hurts so much that he feels nearly numb with it again, aching and scraped out, crying quietly into S's chest. He could protest and say that's only what he imagined the professor would say, but it's plain now from all S has told him that he was probably right, that he would have been chastised and told what a disappointment he is. As fragile as he already felt, he couldn't have handled that. He couldn't even handle what was hurled at him when he said he wouldn't continue.
He let himself believe that what the professor guided him towards was his way of helping him. But it wasn't, it never was, and J feels painfully foolish for having believed it and for wishing he'd been right. It was twisted, yes, but it helped to feel someone supported him. Someone knew what he was doing and instead of turning him in or drawing back in disgust... but he should have. He should have done exactly that, and J let himself believe he was lucky that the professor chose otherwise.
"I was alone," he mumbles. "So alone. I couldn't tell you. My mother — I could never — I didn't want her to know. No one else knew. Just him. It was exhausting. I should have told you." S would have helped him, would have stopped him. Maybe he would have been every bit as horrified as J imagined at the time, but he would have been there all the same.
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If there were others, similarly used and discarded, perhaps too afraid to say anything, S can only hope that they might get some closure from a trial, too, the professor's lies brought to light at last. It would be worth whatever it took to get some small measure of justice anyway, but it would be even more so if there are still people living who might be helped by it, no matter what would have happened to him in the process. Showing up here, he may have dodged those consequences, but his awareness of the likelihood of them hasn't faded, if only because that's one more thing he hasn't been able to bring himself to tell J, how fucked up he was that he just didn't care anymore if anyone found out about him. For all the things he'd go back and change now if he could, that still isn't one of them. Being with J again here, he's had something to protect once more, but that's been for J's sake, not his own. It's beside the point now anyway, nothing he wants to derail this by bringing up.
Comforting his crying boyfriend is far more important, even if he's starting to cry a little again, too. "I wish you had," he says, whisper-soft, a deliberate echo of J's words from a few moments before. "But I understand why you didn't." Of course J didn't tell him that he killed someone while driving drunk. It isn't like they'd even been talking then anyway, like J was keeping it to himself while the two of them were together. Having talked around those specifics even now, though, it feels important to keep going, to say more. "I would've been there, though," he adds. "I want you to know that. Whatever it took... however hard it was... I would have helped you." Head leaning gently against J's, he sniffles. "And I'm sorry. That you were alone. That someone you trusted did that to you."
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It's an uncomfortable thing, to be so unsure how much control he had or in what ways he allowed himself to be controlled. None of this had to happen. If he'd listened sooner, if he'd been stronger, if he'd seen through the professor's manipulations, he wouldn't have done the things he did. Maybe he would have been a terrible boyfriend even so, still falling apart without knowing why, but he wouldn't have killed anyone, and the former is much easier to fix than the latter.
That S understands why he never said anything leaves J feeling all the guiltier. He knows, he's sure, that S is thinking of the same thing he is. If he'd stabbed someone in a drunken stupor, it would have been awful, and yet he still thinks he might have confessed to S more readily, too panicked to hold it in. But driving drunk, hitting someone — he could never have told S. Even now, he's never really talked about it, only let his journal speak for him. It's too horrible to face. "I know you would have," he sniffles, just barely making himself let go of S's shirt so he can rub at his face with his forearm. It registers a moment later that he's thankful he wore something with long sleeves. They make for a more convenient handkerchief and he doesn't want to see or feel his scars right now. "I should have..."
He was, he's pretty sure, the worst boyfriend in history. Since coming here, he's done much, much better. It would be difficult to do as poorly or worse, but he's worked hard all the same, and found that focusing on doing his best to give S the kind of relationship he should have has helped him in turn. If nothing else, it gives him something to do with his days when S isn't home and it means he's much better than he's ever been about communicating when something is wrong.
That's harder right now, when he's still crying, mostly quiet but for the occasional tiny hiccuping sob. "I don't know how I didn't see it," he says, utterly miserable. Or mostly, at least. There's a comfort in the way S strokes his back and holds him close, and an uncomfortable sense of relief that goes with all the things he's having to reevaluate in his memory. "I'm sorry you were alone too." He did that. That's on him, leaving S all by himself because J trusted the wrong person, because S just wanted to protect him. Because J is hard to protect, too stubborn and contrary, too determined and defiant, and if he'd known, he would have done something stupid and the professor would have ruined them both anyway.
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"I know you are," he murmurs, something twisting guiltily in his chest even as he does, as if he shouldn't even be acknowledging how alone he was, giving J one more burden to carry. Even if he tried, though, he doesn't think he could convincingly deny it. J knows him too well for that. Besides, if there's anything to take away from tonight — and there's a lot, really, but if there's one thing that's most prominent — it's how important it is to him to be honest with J. He should have said all of this sooner, though he knows why he didn't. He should have told J everything from the start, to hell with the consequences. There was no way, of course, for him to have that perspective back then, to guess at how much worse things could be than the pair of them being outed, but all the same, he wishes he'd been straightforward from the jump, told J how he got his scholarship before the professor could really sink his hooks into him. "But you're here now. We're together. And he can't touch us here."
That's been a comfort since he first found J on the sidewalk that day, really, but never so much so as it is right now, when he can reassure J with it, too, the truth, or at least most of it, out at last. Sniffling again, his arms still around J as if in a belated attempt to protect him, S kisses his hair, about all he can do right now. "No more secrets, alright?" he says, just a bit more of a question in his voice than he intends for there to be, though he pushes past it. "I mean that for me, too. Not... It doesn't have to mean saying everything, but the big things. Whatever it is, we face it together." They're so much better together than apart. He's always known that, or at least believed it, even when they were children and allying himself with J made an outcast of him in turn and defending his best friend landed him in trouble at school on more than one occasion, but he's never felt as sure of it as he does now. Anything they could be up against, they stand far more of a chance together. At least, no matter how bad things might be, they'll be able to weather it with each other.
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He nods, tiny and quick, into S's shirt, shifting slightly in his arms so he can move his head to S's shoulder. "Together," he echoes. The thought of being safe here leaves him a little sick, mostly because it makes him think of the alternative. Had they been at home still, had he somehow survived, he would still have thought all of that was entirely on him. He would have trusted the professor in the aftermath and done as he was told he should, and it's unnerving to realize now how malleable he was. He has the uneasy sense he hasn't yet fully grasped all that this means, but it's hard enough to know that a lot of what he believed was a lie. Maybe there's a bit of relief in it, too — one thing that's worried him again and again is the thought that this was always in him, that he was always a killer deep down, and now he can, at least, tentatively prod at the likelihood that isn't the case. Even so, it's going to be a while before he knows what to make of all of it beyond the immediate sense of hurt and betrayal and foolishness.
"No more secrets," he adds with another nod. "I know better now." The truth of that is probably evident in how he's behaved these last few months. Even when it's hard, even if it takes him a little while to say something or to know how to put things when he tries to, he's made an effort to do it anyway. But there are times, he knows, when he brushes things off for too long or he worries about saying them. And yet, even if S is bothered by any of it, he's always so patient. He doesn't judge the way J so often does — other people, maybe, but not J.
"It helps." His hand traces down to S's chest again, curling in his shirt. J has a brief flicker of desire to place his hand against S's heart again, to feel it steady and sure, but the fabric is damp at best, and it isn't worth it. Sniffling again, he draws in a deeper breath, trying to get his lungs to cooperate more thoroughly. "When I tell you things... just knowing I can," he continues. "Ah, I've felt better, I really have. I should have said before about that night, but I really didn't think it was that important." He leans his head to the side so he can look up at S again. It's dark and he's tired and his eyes hurt, but even his boyfriend's silhouette is comforting. "You help me see things differently. Or at least feel less alone. You should have that too."
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